Eduardo Fernández
The Uruguayan guitarist, Eduardo Fernández, began his studies of guitar
at age 7. His principal teachers were Abel Carlevaro, Guido Santórsola
and Héctor Tosar. After being prized in several international
competitions, the most notable being the 1972 Porto Alegre (Brazil) and
1975 Radio France (Paris) competitions, he won the first prize of the
1975 Andrés Segovia Competition in Mallorca (Spain).
Eduardo Fernández' New York debut in 1977 won critical accolades, being
described as "A top guitarist...Rarely has this reviewer heard a more
impressive debut recital on any instrument" (Donal Henahan, The New York Times).
Fernández has returned to the USA every season since then, playing with
prestigious orchestras as well as giving recitals, always to great
acclaim from critics and audiences. His London debut, in Wigmore Hall
(1983), had also a great impact. He has also played, with the same
success, in most European countries, and in the Far East (Japan, Taiwan,
Korea, Hong Kong and China, Thailand and Singapore), as well as in
South America and Mexico. Recognized as one of today's leading
guitarists, he has a vivid interest in historical instruments, and he
plays often the repertoire of the 19th century on a period guitar.
Eduardo Fernández' London debut had also a great impact, and resulted in
his signing an exclusive recording contract with Decca, a label for
which he made 18 recordings (solos, and with the English Chamber Orchestra and the London Philharmonic Orchestra),
that cover a wide section of the repertoire, from J.S. Bach to the
contemporary. They include many first recordings (for instance, Luciano Berio's Sequenza XI),
and several of them have been selected as "best of the month" and "best
of the year" by publications such as Stereo Review and The New York
Times, as well as Asahi Shinbun from Japan. He has also made a recording
for Erato with violinist Alexander Markow, covering most of Paganini's
work for violin and guitar, and two duo CD's with Japanese guitarist
Shin-Ichi Fukuda (with whom he has also performed in the Far East and in
Germany) for Denon, in Japan. Currently he is exclusive recording
artist of the Oehms Classics label, for which he has recorded the
complete lute suites by Bach and "Romantic Guitar" a 19th-century guitar recording on a period instrument. In 2005, Labor Records from USA, has released the CD "Between two worlds".
Eduardo Fernández is also active as a teacher, having taught several
years at the University's School of Music in Montevideo, where he is now
a fellow researcher, as well as being very much in demand for
masterclasses and lectures all around the world. Since 2002 he has been
conducting every year master-classes in Germany ("Gitarre und Natur",
Erlbach). He has written a major book on guitar technique (Technique,
Mechanism, Learning, published by Chanterelle Verlag, Heidelberg and in
Spanish edition by ART Ediciones, Montevideo), a book of essays on
Bach's lute music, published in 2003 by ART Ediciones, and several
articles in leading guitar publications.
An active composer, Eduardo Fernández was the secretary of the Uruguayan
branch of ISCM for two years. He is also a founder of Uruguay's
CIM/UNESCO section, and Artistic Director of Montevideo's biannual
International Guitar Festivals since 1996, and of Colombia's Encuentros
Nacionales de la Guitarra since 2000.
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