Göran Söllscher
Although the two are often mentioned in a single breath, the
temperament, style, and even career details of Swedish classical
guitarist Göran Söllscher and those of the controversial and famous Japanese guitar virtuoso Kazuhito Yamashita
are really just about as different as one could imagine. Yamashita was
thrust into the limelight while still a teenager; Söllscher, on the
other hand, continued his conservatory studies until his mid-twenties
and took his time building up a major international career. Yamashita
puts his amazing technical skill on display each and every night (and
sometimes gets criticized for doing so); Söllscher is altogether more
reserved, allowing mechanism to dominate only when he feels the music
calls for it, giving warm, full-toned renditions of such standards as
the Bach
lute works, as opposed to flamboyant Yamashita transcriptions. It is
not surprising, then, that the world's classical guitarists and
classical-guitar lovers tend to sit on one side or the other of the
Yamashita-Söllscher fence as far as next-generation talents are
concerned: their approaches are so radically different from one another
that most listeners find themselves unable to love them both equally.
Göran Söllscher
was born in Växjö in 1955, and as a youth studied guitar at the Kalmar
Municipal Music School. Later, he attended the conservatories in Malmö
and Copenhagen, studying all the while with guitarist Per Olof Johnson.
In 1978, he won the Concours Internationale de Guitare in Paris, and
over the course of the 1980s, he conquered the international recital
circuit. In 1991, he was a key participant in the much-touted
international festival in honor of composer Joaquin Rodrigo
(whose works include many now-standard guitar pieces), and soon
afterwards he was appointed to the faculty of the Malmö Conservatory.
Söllscher has been active throughout his career as a chamber musician;
among the more well-known collaborations is a disc of Paganini's music for violin and guitar made with Gil Shaham.
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